Eat Drink Grow
Can you see me dying? ‘Not quite’,
Said Mummy, ‘because it happens
Very slowly all the time -
Even when you are asleep.
We are breathing, dreaming
And dying, all the time’.
Can you see me dying? ‘Not quite’,
Said Mummy, ‘because it happens
Very slowly all the time -
Even when you are asleep.
We are breathing, dreaming
And dying, all the time’.
Those three angelics had all the lamps lit and were decked out in welcome. So he bade his officers sit beside him on the magic carpet, and they were at once carried here. At first the boys did nothing, too overwhelmed by the girls’ volubility. They talked so much, held so many opinions, and so on and so forth. It was being away from home, he said. It was the times. It was all this trouble with the war. I, however, have a different answer.
Somewhere.
Something pale and stooped was rounding the corner, or at least that’s how it seemed to them at the time. There was a pause. Eyes were cast downward. I keep thinking that I’m getting well, that I can get well. This night could be an epic film adapted from a so-so book, censored by a blind man. The boys behind him shouted with triumph when they recognised me.
Someone.
With the eyes, with the heat, with the message. I sat in front of them and wrapped my legs round my neck.
Better.
Something vermouth and glare in me wants to claw.
I fear there is no God. I know there is no God. I fear this. I fear I have no faith. I fear death. I fear love. I fear responsibility. I fear there is no one person I could love completely and for ever. I fear myself. I fear my body and brain. I fear my addictive nature and the way it tricks me. I fear my mood swings and my instability. I fear money. I fear poverty. I fear my anger. I fear ageing. I fear fat. I fear food. I fear relapse. I fear my perversity. I fear my sexuality. I fear I will not get what I fear I want. I fear what I want. I fear I will not get what I need, let alone want. I fear lonely drunken drugged-up defeat. I fear arthritis. I fear hip replacement. I fear ugliness and stupidity. I fear violence. I fear war. I fucky hate it when I can’t get through to you. I fear people I fear outerspace and The Klu Klux Klan and the gas chambers and murder and rape and Vikings on horseback who will slash my spine and pull out my lungs to make the sign of the eagle
I fear nothing will keep us safe under the ungodly glorious undiluted sun
NO LIMITS NO LAWS NO MERCY
NO HEART NO HEAD NO HEFT
NO WARP NO WEFT NO WARBLES
NO GUTS NO GUMPTION NO SCROTUM
NO STIFFY NO IFFY NO SAVVY
NO LOVE NO LEGS NO LAVVY
NO MORALS NO MARBLES NO DOSH
NO MINGE NO HINGE NO POSH
NO MALADY NO REMEDY NO LIES
NO GUNS NO LUNGS NO LIVER
NO PUNCH NO PRIMER NO PORNO
NO DOGS NO SMOKING NO ARTISTS
NO HELL NO HOLE NO HOODIES
NO LUCK NO THWACK NO WANKING
NO DRUGS NO OOMPH NO CULPRIT
NUFFINK NUFFINK NUFFINK
NADA NIRVANA > ZILCH
I fear your cold breath, angel
I fear inky blue fake
I fear yellow frayed
I fear soft choke pills
I’m riding backward on a pantomime donkey – aren’t I?
You come home from work at 6pm. I give you a cup of tea and run your bath. I sit on the toilet and listen to your day. The sweat and sawdust swirl with the grey bubbles down the plughole. Your shoulders are turning to fat. Your face needs shaving. Wash your hair. I hand you a clean warm towel and rinse the bath with the shower attachment, the brass Victoriana one we bought in Camden Lock Market from that old geezer who promised it wouldn’t tarnish. I polish it with Brasso and a toothbrush. It takes two hours hard slog to make it shine.
You dry your blonde body efficiently. You’re tired now and shuffling to the wardrobe you ask me ‘What’s for dinner?’. I lean in the door frame watching you pulling on your navy loungers, an old T-shirt, slipping your feet into the moccasins I bought you for Christmas, when we didn’t bother with a tree, we decorated your double bass instead, and you rock n’ rolled in your new pyjamas, I took a photo, and I didn’t wear a party hat, I wore a top hat we found in the attic. The red velvet curtains were extravagantly long and the chaise longue shrieked – it was streaked – it was stained, Stan – with the dried crusts of your ex-live-in lover’s affairs.
I go in our kitchen, recently refurbished, all new appliances, I wipe them pristine for your mother’s inspections, she can never find fault but wonders what I do all day – ‘Reading and drawing? Yes, but what do you do?’.
I scrunch balls of mousse in my hair. I choose peacock-patterned wallpaper for the hallway. I buy fresh fish from the huts on the seafront. I drive to farms and buy game. I pedal furiously on my exercise bike. I tend the aspidistra. I am the passenger in your son’s stylish car. When he puts his foot down, I throw dice with the future. I look out at the allotments under the god-glorious diluted sun.
I wok vegetables.
You taught me how to cook, and all about nutrition, it’s still a novelty to me. No more fry-ups with lard, no more plain brown rice made to last for 3 days. To have cupboards full of foodstuffs and a fridge worth defrosting and fresh plastered walls painted any colour I fancy. You showed me how to put a king size cover on your king size feather duvet. I’d worked out my own system, using safety pins and swear words. Your way got it done with a twitch of the wrist, voila… you and your smooth moves.
When I rage and fly at you with fists clenched, you hold my arms at my sides and speak gently: ‘I know you could be in Vogue, but I will look after you, I will keep you safe. I pay the mortgage. I have a plan. I believe in the freedom of hard work, I believe in my TR6, I believe in you’.
When I lock myself in the walk-in cupboard housing your record collection, alphabetically from Blue Note to zzzz, only to get lost in a vinyl-smashing frenzy, you sweep the disaster aside, tutting, and sighing ‘Oh well’.
We sit opposite each other in your Decimus Burton flat, in your comfortable winged armchairs, with the Art Deco coffee table between us, you stopped smoking joints after dinner when I moved in because pot makes me paranoid and you are grateful for the bad habit broken. We ration ourselves to hiring a video only once or twice a week, because that’s another bad habit. I’m reading some novel, you’re reading Shogun, it’s the only book you’ve ever read. I told you not to be ashamed, you have lots of specialities and qualities I respect. I don’t want you to be like me. At 10pm you switch off the TV. I brush my teeth and you watch. I’m a good girl now. You are proud you rescued and transformed me. Took me to restaurants, dressed me expensively, introduced me to your tight-knit exclusive friends as a reformed character, all anomalies buffed away with the loofah, all that remains is the well-behaved, well-spoken contour, sipping white wine soda.
I take my temperature with a digital thermometer every morning, plot the results on a graph. To show my GP. He tells me I am not ovulating. I do this for 2 years. I am still not ovulating.
When we lay side by side in bed, the big bed under the small window set high in the sloping ceiling, I roll over to breathe in your ear, always hoping you’ll want to make love. It is remarkably unmoving, deft in the dark, a well-rehearsed routine. Even my fantasies stay unwaveringly the same on each occasion, and I wonder, do yours.
I attend life drawing classes once a week, fill a few sketchbooks, plot an escape in my diary. I go away to art college, and one day I never come back.
The poet who loved me only to sit down and bleat about it.
The painter who loved me only to stand up and daub.
The sculptor who had to see what shapes I made and what I was made of.
I make unstable shapes. I am made of power balls, Russian dolls, balls of string, feather boas, 3-headed dogs, nail clippers, cardboard cylinders, seashells, spiders.
At 11.30am, 10 years later, we bump in to each other in a supermarket, you tell me you’ve been diagnosed with melanoma, I tell you I’ve been diagnosed with bipolar.
I keep looking up at the far wall, expecting to see the door. I see sudden and lurid visions of you – under a cobwebbed ceiling, under a bare red light bulb, beside a cactus toppled with root rot, under an ugly moon, experimenting with our His and Hers entrails, syphoning acidic and alkaline fluids, patiently repairing the valves, retrieving 3ft long outcomes, cultivating the flora and fauna, engrossed in your dissections, forming retroactive safety plans from these cautiously conducted post-mortems.
At last you are here, an excellent unhealthy
do you desire paradise
come and wiggle, fat on dirt, in my moon-drenched kitchen
with the crown of the lily convulsed
belly-red to the melting, trenched in your skimpy skin
convulsed in the flesh, belly-blue
belly-blue to the fur
lily milk furled in the throat
exposed by the belly-white moon
show me the fleshy flowers, belly-red to the melting, trenched in your skimpy skin
show me the convulsions, belly-blue to the fur, milked on the moon-bleached tiles
milk bottled, full-throttled, for the choke of the throat
five fingers, full-facial, fur-coated
for the choke of the fur-throated girl
Itmight be said
she was in your head!
here and there were
flesh flame flowers!
you must remember
her rubberised thighs!
let it go on
her electrified eyes!
tell your children
Look! No face!
you formed wild theories
UFO!
here she began
Look! No hands!
behind the smile
her dry mouth!
you never understood
her double blag!
but she wanted it show me the dirt
you grew to believe some kind of dirt
She knew you for a dirt dude at first sight, bed-slugged in your spongy loam, you were perfectly adjusted to the acrimony, you lived between potash and ling, and the dirt girl in her liked it
showy cheapo lighter clutcher
paunched in your life-giving necro dirt
with the throat of the lily convulsed
woozy with soft suicide, stoking her flesh flame, you whispered:
‘it is real … everything is perfect and best i do freely’
she knew you’d said that same love tat to Junky Jenny and Creeping Fern
and the dirt girl in her liked it
She had super soda silting her pipes and gallons of basic slag flow, but still she begged you to hoof and horn her, so you let her have it, your full works, right between the eyes
10mls of the synthetic poppy syrup with the power sleep potential and your nitro-chalk crumbled artificials
’til she convulsed and wattled blue
dolloped like a floppy dolly
in the bindweed dirt dimension
and the dirt dude in you liked it
you nailed that hell doll to the paradise tree
sweet ‘art, it’s a pleasure
convulsed on the trunk, belly-blue
belly-blue nailed to the bark
exposed by the belly-white moon
under a car
she didn’t push you
into a coma
wasn’t her fault
open back surgery
she didn’t visit
epileptic fit
blood in your shit
memory loss
you forgot who she was
pale hairless legs propped useless below the bulge of your colostomy codpiece
numb feet wedged on the footrest of your wheelchair
see, she OD’d on your first date, but you die every day
and the dirt girl in her likes it
if you were ever alive, if she were ever dirt
or even a distant view of a hill
I see you
baring your vein to the drip
for the lube of the lungworm trip
I see what shape your mouth makes when you find the clarity to cry
it’s a perfect circle, drooling belly-blight
I hear what you gasp in love-tongue when you find the will to wank:
‘twa, duhr, uhn … fumer’
(after this, you like to sloosh the bile around in your mouth, in a cheek to cheek way)
I hear what you say in worm-tongue when you find the strength to speak:
‘surgical squirm, liturgical burn, willywormer, lungwormer, worm’
I see the worm that crawled up your arsehole
and bored a hole through your soul
it catapulted out your eyeball
(jelly flummery)
I see the same faces you see, intravenously
they shape you, ghosts of dirt
Give Thanks
for the intensity of comedy, the tragedy of driftwood, the death watch beetle keeping time, tapping in her spine
Give Thanks
for the plodding home quick on wooden feet, walking fast on carved wood legs, the black-notched silver birches, the copse, the avenue, the glade
Give Thanks
for the seeing tree, the hanging tree, the lightning tree, the family tree, the tree with a hiding-place under its roots and the tree-house made of wood
rose can’t remember, but the dirt does
Give Thanks
for the picture perfect garden, the wall you can climb over easy, the tidy path, the foxglove spill, the mother, the blamer, the uptight shamer, standing in a soapy puddle, froth on her best red mules, that glorious red hair alive on the breeze, those big wet hands pegging her flimsy smalls to the line strung between two trees and the pegs are made of wood
rose opens the gate, grabs the broom, swings for her mother’s red head
Thanks
mother swerves out the way and her bushy red hair-do jumps off her skull and leaps across the lawn, lands on the grass in a witchy heap – it’s a living hairy wig thing
mother’s head is a surprise boiled egg, and her mouth is a big red hole, shrieking
ROSE WOOD IS NO GOOD – CHOP HER UP FOR FIREWOOD
rose plants her feet in the dirt, up to her wooden ankles
places her hands on warm rough bark, leans against the paradise tree
GO ON, YOU DO THAT … IT WON’T KEEP YOU SAFE
that screecher, that bald old woman, that ain’t her real mother, anyway
rose is the wooden puppen doll, ideal reborn, oak baby and fairy clay
she treads heavy, crushes trees, all ungrows in her wake, flowers wilt and grow backwards, down deep where the worms shrink
she treads light, trails silver dew, all blooms before her, the belly-moon gloats from its oak tree cradle when she lifts her eyes
for she is the paradise, and the hell, and the wood in the dirt, and the tree on the hill, and the fossil, and the brain, and the sea, and the rain, and the hell in the doll, and the you in the me, and the sky and the sky and the sky and the sky and the last sigh is the longest and the flesh flame flowers know
if you were intact she would break you
consider it from so many various angles, it’s like men and women are not involved except it’s something to accomplish in paradise and hell
She is the lover hidden under your bed
she shits, spits and pisses diseases
hosts of angels will torch you
when you spread her rubberised thighs
her face will turn to dirt
when you look in her electrified eyes
Look! No soul!
she brings the thirst and you’ll slake it
she craves the beast and you’ll fake it
she will fuck you in your own personal hell
you’ve been there before, she can tell
she’ll wear the mask or the wig or the pleather
sweet ‘art, it’s a pleasure
her hell is the entrance to ache for
Look! No heart!
she is swallowing you, convulsed, in her mouth
is that what your hell tastes like
nasty but sublime
this knuckle-fuck suffocates time
sacred but profane
you’ll get choked up, again and again
is that what you want
your own stuffing
foxes turn to stone in the alley
how does real love happen
birds burst to flame in the sky
how does real love happen
get in the Safe and Sound position and you will say to yourself:
It is Real!
f
lesh flame flowers
flesh flame flowers
paradise fossils are free
Reblogged from Games Perverts Play:
*
knows a girl red fog rose
butter dishy spider sweet
when she smile long bunch wilt
when she dance peach leaf streak
when she ride narcissus fly
spider wishy butter treat
leaves a trail of tulip fire
*
*
I love flowers and flames and insect blight
that’s what she said on her last night
is that what dirt feels like…